Michael J. Kramer

Michael J. Kramer is an editor in the Design, Publishing, and New Media Department at the Museum of Contemporary Art Chicago and holds a visiting assistant professorship at Northwestern University, where he teaches history, American studies, digital humanities, and civic engagement. His book, The Republic of Rock: Music and Citizenship in the Sixties Counterculture was published by Oxford University Press in 2013, and he has written about history, art, culture, and politics for numerous publications. He is the co-founder of theNorthwestern University Digital Humanities Laboratory and is currently developing a multimedia project about the Berkeley Folk Music Festival (1958-1970) and the history of technology and culture in the US folk revival. Additionally, he is involved with the Chicago Dance History Project, a large-scale oral history and archival digital documentation of dance in the Chicago region, and he is the dramaturg for The Seldoms Contemporary Dance Company. He blogs about art, culture, and politics at Culture Rover.


Digital Historiography and the Archives

The following pieces by Joshua Sternfeld, Katharina Hering, Kate Theimer, and Michael Kramer are based on our session at the American Historical Association (AHA) meeting in 2014, “Digital Historiography and the Archives,” and the series of blog posts based on our presentations that we posted on Michael Kramer’s blog, Issues in Digital History, and cross-posted on AHA Today.

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Going Meta on Metadata

I once joked to an archivist that all I really do as a historian is add meta-metadata to the archival database.

What I meant was that if we understand metadata—the information that accompanies artifacts—as not merely descriptive, but also already on its way to interpretation, then what is historical scholarship but a further extension of this elaboration of the evidentiary record?

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